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History by Design: NYC Edition: Exhibit Design Phase

HBD:NYC is a Spring 2021 offshoot program of History by Design.

Artist Statement

Teachers should identify 2-3 students to write the artist statement on behalf of their Curator Crew. Teachers should familiarize themselves with the below information to make sure their students are adhering to the format and to be able to support the students should they have questions.

What is an artist statement?
A short introduction to artwork, a body of work, or a specific project.
Example: 

Our exhibit examines how women got the right to vote. We were inspired by our chosen Hidden Voices individual, Elizabeth Cady Stanton. We decided to research this topic after learning that even when women got the right to vote, it didn’t mean ALL women. Women make up 50% of our population and it’s time they rise up and claim their power!

Who is the audience for your History by Design artist statement?
When writing your artist statement, consider who your audience will be and what assumptions you can and cannot make about their prior knowledge. Your statement should be written in plain, clear language that can be accessible to anyone regardless of age, reading ability, comfortability with reading in English, etc. 

What should be included in your History by Design artist statement? 
Your first few sentences should simply state what your exhibit is about and how your Hidden Voices individual relates to your exhibit. Next, use the following 3-6 sentences to tell the visitor anything else you feel it is important for them to know (see prompts below). Your statement should be one paragraph long (5-8 sentences). No need to introduce yourself or your school, dive right into what your project is about. 

Topic sentence: 

  • Open your paragraph by stating the basic idea of your exhibit and how it relates to your Hidden Voices individual. 

Middle sentences: 

The middle sentences can address any of the following prompts: 

  • Why is this story important to tell?
  • How does the work connect to your critical lens? How does it connect to history?
  • How do you see yourselves in this story? What compelled you to tell this story?
  • How did you decide what to put into the exhibit and what to leave out?
  • How did you meet any challenges you encountered?
  • What would you like the viewer to know about the work?
  • How did you choose the medium (or media)? Note: When talking about art,medium refers to the type of materials/art form you used for your creation (i.e.painting, sculpture, photography, etc).
  • How did you choose the title of your exhibit? Any special meaning there?

Final sentence: 

  • The final sentence should be a wrap up sentence that ties the paragraph together. For example, this may take the form of a call to action, highlighting further research needed, or stating what you hope viewers take away from your exhibit.

Further considerations: 

  • Try to capture your speaking voice in the writing, but avoid using slang, clichés, jargon, and over-the-top expressions.
  • Your statement should be clear, direct, concise and to the point.
  • Use the word “we” and not “I” or “the artists.” Make it come from your Crew.
  • Make sure to check your statement for spelling and grammatical errors.

Exhibition Design Resources

List of Digital Platforms

Below is a list of potential online platforms Crews can use to build out and present their exhibition. This list is not exhaustive and Crews should feel free to use whatever digital tools they'd like to present their work. 

  • Padlet (free 30 day trial, but check with your school to see if you have access already)
  • Google Slides (free)
  • Prezi (basic version for students is free)
  • Miro (basic version is free)
  • Pear Deck (free)

Ideas on How to Get Physical Art Materials

  1. I would advise you to first look to see what partnerships might be possible at your school. Some of you may be able to reach out to your school’s art teacher(s) to help assist the students through the creation phase and/or lend the students shared resources like paint, markers, paper etc. Maybe your administration has access to a supplementary fund to reimburse you for materials you might otherwise buy yourself (you never know, it’s worth it to ask!) Lastly, I recommend visiting your school’s loading dock with your students or talking with your janitorial staff to see if they have any recycled materials that could work for the project. Do not underestimate the power of cardboard, tape, and a fresh coat of paint!
  2. Materials for the Arts (MFTA), run by the NYC Department of Cultural Affairs, is an organization that provides FREE art supplies to non-profits and DOE teachers. Note that before registering with the organization, DOE teachers are advised to check MFTA’s list of pre-existing school accounts and can email education@mfta.nyc.gov with any questions. After locating or creating an account, you will be able to schedule a time for a “shopping” trip to their warehouse to pick up free art supplies to take back to your Crew. The warehouse where you do your “shopping” is located in Long Island City, Queens. 

How-To Videos

Take a virtual field trip to Cooper Hewitt, Smithsonian Design Museum to learn how to make a Zine.

Join an educator from Cathedral of St. John the Divine to learn how to make a cathedral (or any other 3-D structure) out of paper and glue.

Join the exhibition manager at Poster House museum to learn how to make a frame out of a cereal box.